Doortje Smithuijsen Books In Order
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| Capitalism Is Sexism | (2026) | Description / Buy at Amazon |
Doortje Smithuijsen
Doortje Smithuijsen is a writer, documentary maker, and philosopher from the Netherlands. Her work is centered on observing modern life and the ways people experience it. She holds a background in philosophy, which gives her writing a distinct way of looking at everyday situations. This mix of roles allows her to approach her subjects from several different angles at once.
A key strength of her writing is how she builds her main ideas. She takes a single thought or question and carefully pulls it apart to see what is inside. This process helps her explain complex topics in a way that feels new and clear. Her essays and articles often start from a small observation that she then connects to a much larger point about society.
Another part of her skill is making her work easy to approach for many different kinds of people. She writes in a way that feels personal and direct, without using overly academic language. Readers who study philosophy find her ideas stimulating, while casual readers can still understand her main points. This ability to write for a wide audience is a big reason her work gets shared and talked about so often.
Smithuijsen connects with people around the world by writing about things that are common to many human experiences. She looks at topics like how people present themselves online or the pressure to live a certain kind of life. These are subjects that feel familiar to readers in different countries and cultures. Her focus on these shared moments helps her work travel beyond the Netherlands.
She stays true to her own style by keeping her voice steady and clear in everything she writes. Her sentences are not fancy, but they carry a lot of meaning in a small space. She does not try to sound like other writers or follow trends in how things should be said. This consistency makes her work easy to spot for people who follow her regularly.
Readers trust her because she does not pretend to have all the answers. She presents her thoughts as questions to think about rather than final statements. This leaves room for people to bring their own opinions and experiences into the conversation. Her honesty and lack of pretense make readers feel like they are having a real talk with someone who is curious about the world.
Doortje Smithuijsen keeps working on new projects that build on the ideas she has already explored. She shows no signs of slowing down or repeating the same material. Her readers can expect more writing and documentaries that look at current life in thoughtful ways. There is a sense that her best work might still be ahead of her.
Early and Personal Life
Born in 1992, Doortje Smithuijsen grew up in the Amsterdam district of Oud Zuid. She attended the Barlaeus Gymnasium, a school known for its focus on classical education. During these early years, she developed a natural interest in reading and exploring ideas.
She went on to study philosophy and journalism at the University of Amsterdam. She completed master’s degrees in both subjects, which gave her a strong base for her future work. Her time at the university helped her shape the way she would later approach writing and storytelling.
Her career began in journalism at NRC in 2015. She has since written columns for Trouw and contributed regularly to de Volkskrant and Vrij Nederland. Alongside her writing, she started making podcasts, first with Shamelessly Rambunctious in 2018, which later became VSR, and then Old Girls Network in 2024, where she interviews women.
Writing Career
Doortje Smithuijsen began her writing career as a journalist for NRC in 2015. She writes a weekly column for Trouw and contributes regularly to de Volkskrant and Vrij Nederland as a freelancer. Her newspaper work covers a range of topics and reaches a broad audience.
Alongside her writing, she creates podcasts with Perre van den Brink. They started with Shamelessly Rambunctious in 2018, renamed VSR in 2023. In 2024, she began hosting Old Girls Network, a podcast where she interviews women.
Capitalism is Sexism
Doortje Smithuijsen is the author of the nonfiction pamphlet titled ‘Capitalism is Sexism.’ The work was published on February 23, 2024, by the publisher Podium. It is a feminist text that examines the relationship between economic systems and gender.
Young women face competing pressures in modern society. They want to pursue careers while also starting families. They try to ignore influencer culture but still feel pressure about their appearances.
Capitalism benefits from keeping gender inequality in place. Men typically work outside the home, while women are still viewed as the natural caregivers. Women have access to more wellness products than ever but less real independence.
Doortje Smithuijsen examines how things like mom vloggers and fitness classes fit into this system. She shows how these everyday trends actually limit women’s roles. Using personal experiences, she reveals how hard it is for women to make free choices within this structure.
This book looks at modern life for women in a way that feels honest and clear. Readers will find themselves nodding along to the situations described on each page. Smithuijsen connects personal stories to bigger issues without losing sight of everyday experience. It is a good choice for anyone thinking about gender and culture today.
Everyone Addicted?
Doortje Smithuijsen is the author of the nonfiction title ‘Everyone Addicted?’. The book was published on September 22, 2022, by Bezige Bij b.v., Uitgeverij De. It examines themes related to addiction in contemporary society.
Digital technology has greatly expanded the range of addictive behaviors available today. From gaming to social media, many online activities pull people in strongly. Doortje Smithuijsen visits clinics and talks with psychologists for this book. She interviews people addicted to games, pornography, and Instagram. She also speaks with those who rely heavily on fitness apps and dating platforms. The book looks at where normal online behavior ends and obsession begins. It asks whether addiction serves as an escape from something deeper.
It’s a novel that takes a familiar modern problem and looks at it with fresh eyes. Readers will appreciate how the author talks to real people about their habits. She also turns the question back on herself, which makes the topic feel personal. It is a thoughtful read for anyone curious about screen use today.
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