Phoebe Robinson Books In Order

Publication Order of Non-Fiction Books

Phoebe Robinson is a non-fiction writer, a comedian, and an actress who has been recognized among the top comedians to watch. She appeared in NBC’s Late Night hosted by Seth Meyers and on Last Call with Carson Daly. The author is known for her debut; You Can’t Touch My Hair: And Other Things I Still Have to Explain, where she narrates her personal experience as a black woman living in America.

Together with Jessica Williams they changed their WNYC Studios podcast, 2 Dope Queen, into a four-hour HBO special. She has been featured in the Netflix comedy Ibiza and will also be featured in the What Men Want film.

Robinson’s work has been featured in The Village Voice, Glamour.com, New York Magazine, Vulture.com, NYTimes.com, and many others. The author is a staff writer on MTV’s talking show Girl Code and a consultant on Broad City season three. She still performs stand-up comedies in Brooklyn and plans her nuptials to Michael Fassbender.

Other books include ,Please Don’t Sit on my Bed in your Outside Clothes and Everything’s Trash, But It’s Okay.

You Can’t Touch My Hair: And Other Things I Still Have to Explain

Phoebe Robinson writes about her experiences as a black woman while in and out of the entertainment industry. She covers issues like America’s uncomfortable reaction to hair, called names like the black friend, coded language, Microaggressions, and the angry black woman myth. She also talks of the subtle ways that sexism and racism are implanted in modern society.

Being a black woman in America means one should be used with old prejudices and new ridiculousness each day. Having experienced a fair share over the years, she has been given the role of ‘the black friend’ and has been called ‘uppity’ for having an opinion at her workplace.

Security guards follow her around stores to ensure she’s not shoplifting. People have a behavior of asking her whether they can touch her hair, and she feels it’s high time she takes these topics into writing. Phoebe feels that one’s choice of keeping natural hair can be a difficult decision with many consequences.
Robinson tackles all issues uniquely and humorously to leave their readers entertained. Her writing style is conversational and uses many hashtags as every paragraph is filled with pop culture references. The narrative addresses issues like avoiding being a black friend in a group filled with white people. She also explains the challenges of playing a role in a show because you’re too light or too Black and why the NFL players need to learn how to treat women better. The author also explains how she uses her humor to survive the indignities that come along with being black in America

Robinson teases the different layers of her real identity. Her voice saturates her conversational style speaking directly to a millennial audience. In the first few chapters, she focalizes on the musings of her current life, and the book’s framework is centered on stories concerning how she grew up and how her comedy life came to be.

She goes the extra mile to discuss the issues about the black female identity and how it’s perceived in modern American society. Robinson also fleshes out her identity through her relationship with her body, hair, and voice. Her biggest strength is her ability to give a nuanced illustration of the pleasure and frustrations one experiences for being a black female millennial. The author keeps her Anecdotes humorous and insightful, and in some instances, they refer to the general struggle of people of color.

She reminds the reader of the specific challenges and experiences that come when one is a black woman, which is often understated in the mainstream. Even when she explores heavy ideas, her words never lack humor since it’s the main vehicle that allows her to express her emotions and thoughts frankly without the reader feeling hopeless.

The author’s skill of blending humor and social commentary in the narrative creates engaging personal essays. Everyone needs to read as Robinson makes one think about feminism and racism differently. She funnily discusses the topics to penetrate the reader’s brain and stay there.
Robinson says the things that need to be said but hilariously and eloquently. Her essays range from personal to political to pop-cultural while sometimes blending all the three.

Everything’s Trash But That’s Okay
Phoebe Robinson brings back her charm and sense of humor in her second novel. She offers cultural criticism and hilarious personal anecdotes that will leave readers laughing and crying in the narrative. Her writing reminds people that even if everything seems trash, they’ll still make it through the bad things with faith and honesty.

The essay is a call to arms as she discusses many topics telling the society’s beauty standard to hit rocks, giving feminism a stern talk with hopes it will be the more intersectional and demanding end of toxic masculinity.

In some instances, Robinson gets personal as she explores finance problems she’s always hidden from her parents and how dating is a warmed-over bowl of a hot mess. She has struggled a lot with being a lady with a political mind and a woman who has always had ever-changing jeans sizes. She sees trash every day, so she knows everything about it.

The book is a forthright perspective for a generation that had a lot pulled for under on uncountable occasions. The story is confidently told and is a must-read for all modern women. When the world feels like falling apart, Phoebe is there to make one feel better with the funny and laugh-out scenes. She combines the ability to laugh at her personal experiences and her willingness to learn from them.

The collection is filled with intelligent commentary and very relatable trashiness. The author has her voice and language to get the attention of any reader. It’s so impressive how the successful comedian humorously addresses women’s issues.

It’s such a clever and thoughtful novel as readers get through Robinson’s mind and world. She gives her perspective into what it feels like to be a black female in an industry dominated by white men.